Jinpachi Toudou Grew Up Through Rivalry
Spoiler scope: This essay discusses Jinpachi Toudou’s rivalry with Yusuke Makishima, his role as Hakone Academy’s third-year climber, and his later advice to Sangaku Manami in the anime.
Jinpachi Toudou can look like a man who has never had a thought that was not about his own face.
He likes attention. He calls himself handsome. He knows exactly how good he is at climbing, and he is not interested in pretending otherwise. Even the official anime profile introduces him through that combination of beauty, talk, and frighteningly efficient riding. He accelerates without wasted movement, passes almost without a sound, and carries the title “Mountain God.” Subtlety is apparently reserved for the bicycle.
But I do not think Toudou is shallow. He may have started with plenty of talent and an equally healthy amount of vanity, but by his third year he has become someone with a much wider heart. Makishima is a large reason why.
He learned that a rival does not have to be an enemy
Toudou and Yusuke Makishima do not make sense as friends if rivalry is supposed to mean resentment.
They go to different schools. They climb for competing teams. When they meet on a mountain, neither of them wants to yield. The licensed English manga description for the first Inter-High calls Toudou Makishima’s greatest rival, while the official anime profile describes the two as eternal rivals. Their competition is not a temporary obstacle on the way to something more important. It is one of the most important relationships in both of their cycling lives.
And Toudou does not seem to hate him for it.
That is the part I love. Makishima is not valuable to Toudou despite being a rival. He is valuable because he is the person who can meet him there, push him, and show him that another summit still exists. Their races give both of them a reason not to settle for the strength they already have.
The official interview with Toudou’s voice actor, Tetsuya Kakihara, puts that priority plainly: for high-school Toudou, cycling comes first, and Makishima—the rival who can compete with him through cycling—comes first with it. That matches what I see in Toudou. Competition has not made his world smaller. It has given him a friendship sturdy enough to survive wanting to beat each other.
Spending three years with that relationship seems to have taught him something many younger riders have not learned yet. A rival is not automatically someone to push away. Feeling challenged by a friend does not cancel the friendship. Sometimes that friction is exactly what lets both people keep growing.
By third year, he can pass that lesson down
This is where Toudou feels older than his first impression.
Younger riders can become awkward around competition. A friend gets faster, the stakes rise, and suddenly every feeling has to be sorted into a neat box: teammate, opponent, friend, threat. Toudou has already lived through the messier version. Makishima can be his cherished friend and the person he most wants to defeat. Neither truth needs to be reduced to make room for the other.
That experience matters when he speaks to Manami later. The official Glory Line episode summary shows Toudou’s words reigniting Manami’s fighting spirit after Toudou and Makishima race again. He is no longer only the loud senior displaying his own rivalry. He can use what that relationship taught him to help a younger climber face his own.
I do not mean that Toudou turns into a solemn mentor who has outgrown humor. Thankfully, no. He is still Toudou. The confidence, the performance, and the need to make an entrance all survive.
What changes is that there is judgment underneath them. He understands when a younger rider is tangled up in feelings he cannot name, and he can point that rider back toward the value of the person waiting on the other side of the competition.
The showmanship does not cancel his responsibility
Toudou is funny enough that it would be easy to treat him as comic relief until the race becomes serious.
Then the race becomes serious, and so does he.
He is Hakone Academy’s top climber in the official profile. By his third year, that position means more than being individually gifted. Hakone rides as the reigning champion, and Toudou has to bring the focus and performance worthy of that team when the mountain begins. He does. The jokes do not disappear forever; they simply stop being an excuse.
That balance makes him feel more grown-up to me than a version of Toudou who became quiet and severe ever could. Maturity does not require him to erase the part of himself that loves attention. It requires him to know when the team needs the Mountain God rather than the handsome man announcing himself.
He has learned how to use both sides. His energy can lift the mood around him, while his concentration on the climb protects Hakone’s pride. He can strengthen the relationships inside his team and keep building the relationship that pushes him outside it.
Toudou grew because he was lucky in people
Toudou already had the legs to become an elite climber. What makes his growth interesting to me is that talent was not the whole answer.
Every year at a school like Hakone gives a rider something to learn or a chance to remain exactly where he is. Toudou keeps learning. He develops his racing, learns how to move as part of a team, and lets friendship expand his understanding of competition. By the time he is a third-year leader, the people around him have not softened his ambition. They have made it more durable.
That is why I think of him as a character who grew well through good relationships.
Makishima gives him proof that there is always farther to go. Hakone gives his ability a responsibility larger than himself. His juniors give him a chance to turn experience into guidance. Toudou returns all of that energy rather than hoarding it: he raises morale, races with complete focus, and reminds younger riders that caring about a rival is not a weakness they need to correct.
He still looks like an attention-loving pretty boy. On some level, he absolutely is one. But he is also someone who has learned that the right people do not distract you from becoming stronger. They are often the reason you can see a stronger version of yourself at all.
For the other side of the rivalry, read Makishima Yusuke’s Awkward Kindness Is Exactly Why I Like Him. For the junior who receives Toudou’s advice, read Sangaku Manami Rides to Feel Alive. You can also browse the full Yowamushi Pedal series archive.
Reference points
- TV Tokyo: Yowamushi Pedal character page — official profile identifying Jinpachi Toudou as Hakone Academy’s top climber, the “Mountain God,” and Makishima’s eternal rival
- Official Yowamushi Pedal interview with Tetsuya Kakihara — the actor’s explanation of what high-school Toudou values most
- TV Tokyo: Yowamushi Pedal Glory Line episode guide — official summary of Toudou and Makishima racing again and Toudou’s words motivating Manami
- Yen Press: Yowamushi Pedal, Vol. 6 — licensed English synopsis naming Toudou as Makishima’s greatest rival
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